A flexible spring reverb box-of-tricks. If you're familiar with Bazille
you might already have come across its built-in spring unit. We took that one
then modelled two more reverb tanks
paired it with drive section
filter stage
envelope
and mod matrix. It emulates a hand-picked selection of the most popular units you will find in classic guitar and instrument amplifiers
recreating the odd character of real springs. As a faithful emulation of a mechanical device
Twangstro?m needs to be handled well. Many of the technical parameters are user-adjustable in real time
and these can be controlled via MIDI or using the internal LFO and envelope generator. With its multimode resonant filter
Twangstro?m is a unique and powerful tool which can deliver highly unusual
evolving textures… especially when the signal is tossed around using the modulation matrix!
Shakeable springs
Hitting your computer won’t make Twangström shatter
so we added a twang control. This is used to shake the springs
either manually or through modulation and automation. You might think this is a gimmick for which you have no further use (apart from waking up the neighbours)
but if you modulate it slightly
everything comes to life!
Tank controls
Twangström's reverb is based on physical modelling. As opposed to plug-ins based on impulse responses (IR)
our approach mimics the physics of mechanical reverberation. By simulating the wavefront travelling through a medium
we can include all the aspects of excitation
reflection
dispersion
interference
and other audio properties. Twangström does not mimic the sonic result
but simulates the physical device. This means that all dimensions of the device are controllable in realtime
on a per-sample-basis – which all boils down to quite some power at your fingertips!
Envelope
The envelope in Twangström features 4 different modes and can pick up the signal from either input
output or external sidechain. You can select between Envelope Follower
Attack and Decay
Attack and Release
or Cyclic modes. The last one is similar to a 2-stage LFO. Shown controls will adapt to the selected mode
with Threshold not appearing while in Envelope Follower mode.
Modulation Matrix
The modulation matrix has three general purpose modulation slots
and yes
you can select shake as one of many targets to modulate the Twang control!
Low Frequency Oscillator
The LFO features different time bases
including a non-synchronized one measured in seconds. Synchronized options include both dotted times and triplets. There are 8 different waveforms to choose from
with 2 of them being stepped or glide random shapes.
Features:
Shakeable springs
3 different reverberation tanks
inspired by the most popular ones built in the guitar & instrument amps that made rock 'n roll
Tasty drive & tone stage for heating-up and colouring the sound
Multi-mode filter
with variable type blend
Four-flavours envelope stage
picking up the signal from either input
output or external sidechain
LFO module
8 different types & waveforms
variable time base & syncable
Comprehensive modulation matrix
for realtime control of all the parameters
Independent input and feedback routing options allow all possible stereo or mono combinations
76 factory presets
NKS-compatible
UI instantly resizable from 70% to 200%
Custom remote control via MIDI CC
14-bit resolution option
A flexible spring reverb box-of-tricks. If you're familiar with Bazille
you might already have come across its built-in spring unit. We took that one
then modelled two more reverb tanks
paired it with drive section
filter stage
envelope
and mod matrix. It emulates a hand-picked selection of the most popular units you will find in classic guitar and instrument amplifiers
recreating the odd character of real springs. As a faithful emulation of a mechanical device
Twangstro?m needs to be handled well. Many of the technical parameters are user-adjustable in real time
and these can be controlled via MIDI or using the internal LFO and envelope generator. With its multimode resonant filter
Twangstro?m is a unique and powerful tool which can deliver highly unusual
evolving textures… especially when the signal is tossed around using the modulation matrix!
Shakeable springs
Hitting your computer won’t make Twangström shatter
so we added a twang control. This is used to shake the springs
either manually or through modulation and automation. You might think this is a gimmick for which you have no further use (apart from waking up the neighbours)
but if you modulate it slightly
everything comes to life!
Tank controls
Twangström's reverb is based on physical modelling. As opposed to plug-ins based on impulse responses (IR)
our approach mimics the physics of mechanical reverberation. By simulating the wavefront travelling through a medium
we can include all the aspects of excitation
reflection
dispersion
interference
and other audio properties. Twangström does not mimic the sonic result
but simulates the physical device. This means that all dimensions of the device are controllable in realtime
on a per-sample-basis – which all boils down to quite some power at your fingertips!
Envelope
The envelope in Twangström features 4 different modes and can pick up the signal from either input
output or external sidechain. You can select between Envelope Follower
Attack and Decay
Attack and Release
or Cyclic modes. The last one is similar to a 2-stage LFO. Shown controls will adapt to the selected mode
with Threshold not appearing while in Envelope Follower mode.
Modulation Matrix
The modulation matrix has three general purpose modulation slots
and yes
you can select shake as one of many targets to modulate the Twang control!
Low Frequency Oscillator
The LFO features different time bases
including a non-synchronized one measured in seconds. Synchronized options include both dotted times and triplets. There are 8 different waveforms to choose from
with 2 of them being stepped or glide random shapes.
Features:
Shakeable springs
3 different reverberation tanks
inspired by the most popular ones built in the guitar & instrument amps that made rock 'n roll
Tasty drive & tone stage for heating-up and colouring the sound
Multi-mode filter
with variable type blend
Four-flavours envelope stage
picking up the signal from either input
output or external sidechain
LFO module
8 different types & waveforms
variable time base & syncable
Comprehensive modulation matrix
for realtime control of all the parameters
Independent input and feedback routing options allow all possible stereo or mono combinations
76 factory presets
NKS-compatible
UI instantly resizable from 70% to 200%
Custom remote control via MIDI CC
14-bit resolution option
Requirements:
Platform
CPU
RAM
Disk
Notes
Additional Requirement
Audio Card
Ports
Internet Required
32 Bit Support
64 Bit Support
Plugins
mac
Intel Nehalem or newer
Apple M1
1
0
AAX requires Pro Tools 10.3.7 or later
1
1
1
VST-2
VST-3
AU
AAX
windows
Intel Nehalem or newer
AMD Bulldozer or newer
1
0
AAX requires Pro Tools 10.3.7 or later
1
1
1
VST-2
VST-3
AAX
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